The Modbo and S.P.Q.R. (The Arts Alley District) happily present a First Friday opening on Friday, July 4th, 2014. Modbo will host works by Brett Andrus, while S.P.Q.R. exhibits new work by Nina Peterson and newcomer Korri Oxford. Don’t miss this show, opening from 5:30 til midnight on July 4th, and open subsequent Fridays through July 25th. More info by emailing firstname.lastname@example.org or going to http://www.themodbo.com. The Modbo and SPQR are located at 17b and 17c East Bijou, 80903. 719.633.4240
Nina Peterson developed an interest in oil painting a decade ago and began showing artwork in high school. While pursuing an undergraduate degree, she became a member of The Modbo Collective and exhibited her first solo show at SPQR in 2012. Later that year, Peterson entered a graduate program at the University of Denver, and she will complete a Master of Arts degree in Art History and Museum Studies in August 2014. Studying the history of art profoundly influences her artistic practice, just as her own creative endeavors benefit her academic pursuits. Her subject matter and narratives address societal perceptions of femininity, sexual violence against women, and the development of personal and cultural identities.
Describing the philosophical and intellectual maturation of a typically young, male protagonist, a bildungsroman is a literary genre that generally begins with the youth’s alienation, subsequently follows his trials, and usually concludes with his reintegration into society. Bildungsroman at the Modbo is Nina Peterson’s artistic rumination on a two-year period of self-exploration prompted largely by moving from Colorado Springs and entering a graduate program in Denver. Invoking the feminist rallying cry “the personal is political,” this body of work engages art created by women in the 1970s. Artists like Eleanor Antin and Ana Mendieta, who used their own bodies as the site of both individual reflection and social critique, inspired Peterson’s corporeal documentation and self-portraiture. Experimenting with various media, Peterson attempts to identify and subvert gender constructs in contemporary society by questioning how the rapid ascension of digital platforms and social media enforces expectations, dichotomizes or liberates sexuality, and transforms intimate interactions. Peterson wonders, What kind of growth resulted from my knowledge gained in school and my relationships built (or neglected) during this time?
Korri Oxford’s father was was a janitor for a local high school, and when the library annually threw out the old/obsolete books, he would rescue the art books and bring them home, and that’s where it started for Oxford. She studied those pictures– not caring for the text, but the images burned into her memory. Even if she didn’t like or understand what she was looking at, it was something she’d never seen before. Among the most impactful were “The Dead Mother,” “The Subway,” “Christina’s World.” and “Screaming Man.” They seemed to deal with the severity of feeling isolated in a social world. It’s something Oxford strongly identified with, and it is a recurring theme in her personal work. Oxford has been painting in oil under the instruction of Brett Andrus and Phil Lear for the last 2 years. She has been involved with multiple local art shows like Nocturnal Mockery, Mothma, and the Future Fossil Foundation. She volunteers at Life Skills High school, teaching art because she believes it’s important to have a creative outlet. Says Oxford, “Creating something new is an intoxicating challenge. I paint, because some things I want to see don’t exist.”
Regarding her latest work, Oxford says the following: “We all turn a blind eye to the ugly and understated, but in reality it makes up a considerable percentage of our existence, and I think it should be recognized, even if it’s unpleasant. That’s why I often paint darker subject matter. I paint with a lot of personal symbolism, some portraiture, and occasionally surrealism. My work sometimes questions authority and social convention, it analyzes personal dynamics, and destructive tendencies. I’m chasing a response from my audience, good or bad, the worst thing I can be is forgettable.”
In the Modbo, works from Brett Andrus’ latest show, Hypothesis, will be available. Andrus’ newest body of work is an experiment in working in a manner that was new and uncomfortable to him– many of the pieces are small, mixed media drawings, done on a more intimate scale. Thus the show’s title, “Hypothesis.” Andrus sees these pieces as an homage to the process changes he has embraced in the past few months. However, despite the new media, the new scales, he remains firmly in the realm of the narrative figurative, seeking to connect with the viewer on a sensual and emotional level. The viewer in these pieces acts as both witness and voyeur– sharing a clandestine moment with the artist’s subjects. Influenced by Egon Schiele, Kent Williams, and Jenny Saville, Andrus uses his fascination with realism to find his contemporary voice within the constructs of the classical female form.
A Colorado native, Brett Andrus studied painting and art history at the Savannah School of Art and Design before returning home to Colorado in 2001. Andrus divides his time between a career in the financial industry, co-ownership (with his wonderful wife Lauren) of the award-winning art galleries The Modbo and S.P.Q.R., directing and teaching at the newly formed ModboCo School of Art at Ivywild, working as a musician (in projects that include Waterbear, The Men of Deep Throat, Team Laser Wolf, and Headhum), and producing as a disciplined artist. Over the last fifteen years, Andrus has exhibited his work in Santa Fe, Denver, Atlanta, New York City, New Orleans, Trinidad and Colorado Springs.
The Modbo and S.P.Q.R. proudly present “An Invitation: A New Exhibition by Brett Andrus.” The opening reception for this show will be on Friday, August 3rd, from 5:30 pm until midnight. There will be spontaneous performances by Sansara Modern Dance Company and Moonhoney Gypsy Tango Cabaret. In addition to works by Brett Andrus, two Modbo Collective artists, Lorelei Beckstrom and Nina Peterson, have been invited to show work. The show runs through Friday, August 31st. The Modbo can be reached at 633-4240, or email@example.com.
For “An Invitation,” Andrus has created an entirely new body of work to fill both galleries, the Modbo and S.P.Q.R., and in an entirely new medium– house paint. (Specifically, Behr Premium Paint and Primer in One.) Typically an oil painter, Andrus sought to challenge himself with this new medium while remaining true to his narrative figurative style and also maintaining his focus on the female form. The result is an oeuvre that conceptually challenges the viewer as voyeur and plays with the idea of time and story through each piece.
Colorado Springs native Brett Andrus studied painting and art history at The Savannah College of Art and Design before returning home to Colorado in 2001. He has showed in Savannah, New York City, New Orleans, Atlanta, Denver, and Colorado Springs. Andrus received a Gold from The Gazette last year for “Vögel(n),” his most recent solo show. He was the also the mastermind and artistic director behind the recent “Rubrittica vs. Ceralusia” show at the galleries, a body of work that has also been displayed in Trinidad and will travel to other Front Range locations in 2013. Andrus is the co-owner of The Modbo and S.P.Q.R., and the sole curator for both spaces, as well as several satellite spaces in town: the Rabbit Hole, the Blue Star, Locals, and the Colorado Springs Airport among them. He also teaches art classes out of the gallery.
war declared web <——Click on this to see a big copy.
The Rubrittican Trust for Historic Preservation and the Historical Society of Ceralusia present “Rubrittica vs. Ceralusia,” opening in the Arts Alley District on Friday, May 4th. This opening will take place at The Modbo and S.P.Q.R. and goes from 5:30 pm until midnight. The show runs through Friday, June 1st.“Rubrittica vs. Ceralusia” is an historical exploration of war; an opportunity to examine both human nature and the foibles of memory.
For more information, visit https://www.facebook.com/pages/The-Historical-Society-of-Ceralusia/373620532649872 and https://www.facebook.com/pages/The-Rubrittican-Trust-for-Historic-Preservation/113045722155133 .
For the past year, Peterson has focused on acquiring expert painting skills. Although largely self-taught and still seeking improvement, she recently took an oil paintingclass with Modbo and SPQR co-owner Brett Andrus that enhanced her technical ability and understanding of the medium. Femme Fatale is an exploration of painting techniques that invokes artworks from the late 19thcentury Symbolist movement. Peterson started each piece with an under-painting and worked over it with glazes to build color variation and depth. While studying masterpieces by Fernand Khnopff, Franz Stuck, John William Waterhouse, and Lucien Lévy-Dhurmer, Peterson found not only inspiration for her methods but also for her subject matter. Her first solo exhibition is one that questions and subverts contemporary and historical depictions of women as cruel yet sensual.
Please join The Arts Alley District—The Modbo and S.P.Q.R.—for its newest art opening! Our +1 Monochromatic Show opens on Friday, September 9th, at 5:30 pm. In the Modbo, look for monochromatic works by members of The Modbo Collective. In S.P.Q.R., you can find monochromatic works by community members who were selected through a jurying process with jurors Rodney Wood, Lorelei Beckstrom, and Brett Andrus.
The opening reception will feature live music by Paul Riola’s Cellar Door!
Modbo Collective members represented include: Lorelei Beckstrom, Trevor Thomas, Troy DeRose, Brett Andrus, Phil Lear, Jess Preble, and Nina Peterson. In S.P.Q.R., look for 29 community artists such as Sean O’Meallie, Phil Vallejo, up-and-coming artists Dave Tweedy, Monique Viger, and more!
The Modbo and S.P.Q.R., The Arts Alley District, are delighted to present a new opening, “Boys vs. Girls,” on Friday, August 12th, from 5:30 until late. This exhibit will feature Trevor Thomas, Drew LiVigni, and Jeremy Grant in The Modbo and Jess Preble, Erin Jones, and Nina Peterson in S.P.Q.R. Remember to cast your vote for the winner of Boys v. Girls!
The Boys in The Modbo
Drew LiVigni is primarily self taught and has worked with many types of media through the years. He is currently working in digital/mixed media. His works are small narrative snapshots filled with nostalgia and whimsy. Drew lives and works in Colorado Springs, is married to artist Lindsay Hand, and they are expecting their first child.
In college, Jeremy Grant began to collect pieces of junk and, drawing on his past 15 years of experience in art classes, began to assemble those found objects into wall-hanging sculptures. This means of restoring and redeeming the throw-away artifacts of society inspired him and, in this union of concept and form, Jeremy found his artistic niche. Seven years later, after receiving Bachelor degrees in Illustration and Graphic Design from John Brown University, Jeremy continues his restorative sculpture work as he plays a mild-mannered graphic designer by day and a fearless fine-artist by night. He seeks to restore the good faith of his neighbors, friends, and anyone else willing to engage with contemporary art through speaking about art in a way that is inclusive and easy to understand. Jeremy Grant’s sculpture has been featured in Colorado galleries, public spaces and online.
Trevor Thomas is a representational painter and draftsman from Colorado Springs, CO. He is a recent graduate of Colorado College (2010) with a B.A. in fine art and is currently the apprentice to Eric Bransby on a mural commission for the Colorado Springs Fine Arts Center [projected to be completed in fall 2011]. Trevor is also represented as a collective member of the Modbo and SPQR in downtown Colorado Springs.
Trevor has a strong foundation in figurative drawing and painting. While at Colorado College, he devoted himself to studying the figure. This involved several study abroad programs, including a three monthfigure drawing intensive at the Charles Cecil Studios in Florence, Italy. Locally, Trevor has studied the figure with Bogdan Swider, Chris Alvarez, and Eric Bransby.
Since November 2010, Trevor has worked along side Eric Bransby on the Fine Arts Center Mural. During this time, Trevor has established a profound understanding of the figure and wall painting. Under Eric’s tutelage, Trevor is learning fresco painting practices and figure drawing intricacies. Upon completion of the mural, Trevor has aspirations to earn an MFA in painting.
The Girls at S.P.Q.R.
Nina Peterson, a member of The Modbo Collective, recently graduated from UCCS with a degree in Art History. She intends to pursue a graduate degree in Art History as well. Her current work attempts to identify and dismantle gender stereotypes by redefining traditional gender roles and reappropriating the female nude. The usage of two disparate mediums, paint and ball point pen, allows Nina to explore control in relation to both gender and artistic relationships. However, aesthetics are paramount to her finished work as she finds her subject matter – nude women or mutilated rabbit maxillae – to be beautiful. Nina spends many hours sunbathing in her studio as she works under the adoring gaze of her most supportive and fluffiest fan, Fat Cat Bobby.
Erin Jones, 20, is an emerging artist native to Colorado Springs. Her role in the community started in 2003 with the non-profit youth art organization, Futureself, where she dove into countless art mediums as a student, volunteer, assistant, and teacher. She gained success in high school with enrollment into AP and IB art classes, a paid internship at the Smokebrush Foundation of the Arts, and participation in many juried art exhibitions such as Wunderkind, Scholastics, and the Young Peoples Art Exhibitions. Since then, Erin has shifted her attention to a new-found love of oil painting. With a primary focus in portraiture and figurative studies, she is inspired by the opportunity to capture one’s story by depicting scenarios just outside of reality. Erin is eager to continue creating a body of work to show in galleries across the state and country.
Jess Preble, 23, is a native Colorado artist who has spent time studying fine art and painting independently in multiple cities in Colorado as well as in San Francisco. She currently attends Pikes Peak Community College in the Associates of Arts program. Jess has become integrated in the local artistic community recently in hopes of strengthening the presence of all forms of tactile, visual and sensory emotive expression. She is the newest member of The Modbo Collective. Jess works full time as a figure model for various art studios and galleries, as playing muse for another seems just as pertinent as finding them for herself. The juxtaposition of experience and personally subjective interpretation of provoked external influence has culminated in her current series of misfit portraits and cityscapes.
The Modbo is pleased to announce an exciting exhibition opportunity. Beginning this Saturday, July 16th, you can see the work of nine Modboco artists hanging in Palmer Lake at the Tri-Lakes Center for The Arts. The opening reception is from 6 to 9 pm on Saturday the 16th, and will have a cash bar. Modbo Collective Artists include: Brett Andrus, Lorelei Beckstrom, Troy DeRose, Phil Lear, Trevor Thomas, Nina Peterson with special guests Chris Alvarez, Dave Tweedy, Monique Viger. The Tri-Lakes Center for the Arts is located at 304 Highway 105, Palmer Lake, CO, 80132, and they can be reached at 719-481-0475.
The Arts Alley District, The Modbo and S.P.Q.R., are delighted to present two new shows opening March 11th, 2011. The Modbo will feature Picture Postcards, a solo show by Lindsay Hand. S.P.Q.R. will house Young Hot Sh*ts 2, an exhibit of seven local artists all under the age of 22. Opening receptions begin at 5:30 pm on March 11th and continue until midnight. The show runs through Friday, April 1st.
Lindsay Hand’s latest body of work, Picture Postcards, was inspired by two albums of photographs that she found at a thrift store. Packed with photos and carefully assembled, the albums held images from the early 40s to early 50s. Hand was moved by the images, the owner of which she was never able to ascertain. Picture Postcards is the result of living in the album owner’s world for a little while and exploring the mystery of their identity.